亞際自組織木刻圖繪 Ⅳ:異識的藝術 Inter-Asia Self-organized Woodcut Mapping Ⅳ: The Art of Dissensus

4510

亞際自組織木刻圖繪 Ⅳ:異識的藝術 Inter-Asia Self-organized Woodcut Mapping Ⅳ: The Art of Dissensus  (4510)

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Inter-Asia Woodcut Mapping | 亞際木刻圖繪/A4/46 pages(English & 繁体中文)

 

The theme of this issue is The Art of Dissensus. By examining cases in different regions, we hope to leap out from the framework of consensus politics and explore how artists intervene with dissensus in reality, providing another perspective for us to think about the operation of power structures in our society.

這一期《木刻小誌》以「異識的藝術」作為主題,透過審視不同地域的個案,我們希望與讀者一同跳出「共識政治」的框架,探討藝術家如何藉由差異性來為人們提供另一種思考社會權力運作的角度。

アジア木版画ZINE第4号。テーマは「ディセンサスのアート」。様々な地域の事例を検証することで、コンセンサス政治の枠組みから飛び出し、アーティストが現実にどのように「ディセンサス」に介入しているのかを探り、私たちの社会における権力構造を考えるための別の視点を提供する。

 

目錄 Content

作為「異識」的藝術實踐|編輯部
Dissensus as Art Practice Editorial Board

撥開「稻米䝤牙」的「反猶主義」疑雲|陳韋綸
Dispelling the Anti-Semitism Suspicions around Taring Padi | CHEN Wei-lun

懷抱一九八〇年代而活:紀念「六月鬥爭」三十五週年邀請展《李相浩•解剖歷史》1稻葉真以
Living with the 1980s: Lee Sang-ho: Dissecting the History An Invitational Exhibition Commemorating the 35th Anniversary of the June Struggle | Mai INABA

紙上策展:議之後|狩野愛
Curation on Paper: After the Controversy | Ai KANO

發出自己的聲音,然後再擴散:「木刻波流」訪談 | 吳君儀
Make Our Own Voice and Spread it: Interview with Woodcut Wavement | Krystie NG

世界上的苦難不是我們獨有:「版畫為民衆」訪談| 吳君儀
Oppressions are not Endemic: Interview with Printmaking for the People | Krystie NG

我們希望自己的作品能成為抗議現場的戰鬥工具:「DIS-PRINT KULTUR」訪談|陳韋綸
We Want Our Artwork to be Used as a Tool to Fight in the Field: Interview with DIS-PRINT KULTUR | CHEN Wei-lun

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