在庫状態 : 在庫有り
Inter-Asia Woodcut Mapping | 亞際木刻圖繪／27 x 20cm／80頁（English & 繁体中文）
新一期以「現代木刻運動」於戰後東亞及東南亞的多重發展軌跡為題，分別透過七篇從中、港、台、日、韓、新加坡與菲律賓視角出發的文章，勾勒此一曾橫越國界的美術運動在各地的迴異發展，另亦藉此探討各地藝術實踐者如何以「戰後」作為問題意識，將木刻版畫的創作結合到具體的社會批判及行動，及至是在後來的冷戰脈絡下相關實踐所遭遇的限制與困境。
亞際木刻圖繪（五）：戰後亞洲的木刻運動及其多重軌跡
・多重戰後：戰後東亞／東南亞的木刻運動 | 編輯部
・日本經濟高速成長期的教育版畫運動：直面社會議題的教育實踐 | 町村悠香
・韓國的抗爭版畫 —— 解放空間與一九八〇年代 | 稻葉真以
・左翼木刻運動在香港的萌芽與斷裂 | 李俊峰
・再思台灣當代版畫發展脈絡的荊棘之路 | 梅丁衍
・社會主義現實主義的論爭 —— 一九五〇年代的中國木刻版畫活動筆記 | 李丁
・從離散到獨立：新加坡戰後木刻初探 | 吳君儀
・由人民及為人民而創造的版畫：刻出菲律賓民族解放的自主之路 | 阿美爾・里維拉
This issue takes the multiple development trajectories of the Modern Woodcut Movement in postwar Asia as its theme, through seven articles from the perspectives of China, Hong Kong, Taiwan, Japan, Korea, Singapore, and the Philippines. We aim to outline not only the diverse development of this cross-border art movement in various places but also to explore how artists take postwar as a notion to combine woodcut printmaking with social criticism and action, as well as the limitations and difficulties they encountered in the context of the Cold War.
Inter-Asia Woodcut Mapping V: The Multiple Trajectories of Woodcut Movements in Postwar Asia
．Multiple Postwar: Woodcut Movements in Postwar East and Southeast Asia | Editorial Board
．Printmaking Education Movement During Japan’s Period of Rapid Economic Growth: Educational Practices in Addressing Social Issues | Haruka MACHIMURA
．Resistance Prints in South Korea — the Liberation Space and the 1980s | Mai INABA
．The Rise and Fall of Left-wing Woodcut Movement in Hong Kong | LEE Chun Fung
．Rethinking the Thorny Path of Contemporary Printmaking in Taiwan | MEI Dean-E
．Debates on Socialist Realism: Notes on the 1950s Modern Woodcut Activities in China | LI Ding
．From Diaspora to Independence: A Preliminary Study on Postwar Woodcuts in Singapore | Krystie NG
．Printmaking by the People and for the People: Carving Our Way towards National Liberation of the Philippines | Amiel RIVERA
