Inter-Asia Woodcut Mapping | 亞際木刻圖繪／A4／46 pages（English & 繁体中文） The theme of this issue is The Art of Dissensus. By examining cases in diff […]
亞際自組織木刻圖繪 Ⅳ：異識的藝術 Inter-Asia Self-organized Woodcut Mapping Ⅳ: The Art of Dissensus
亞際木刻圖繪
亞際自組織木刻圖繪 III：體制及其後 Inter-Asia Self-organized Woodcut Mapping III: Institution and Beyond
Inter-Asia Woodcut Mapping | 亞際木刻圖繪／27 x 20 cm + 17 x 23 cm／48 + 12 pages（English & 繁体中文） 《木刻小誌》第三期以「體制及其後」為主題，探討自組織實踐與體制之間的互動關係。在當代藝術的語境，體 […]
亞際自組織木刻版畫系列 II: 集體協作、著作權與藝術資本｜Inter-Asia Self-organised Woodcut Collectives Mapping Series II: Collaboration, Authorship and Art Capital
International Centre of Cultural Studies／A4／46ページ（English & 繁体中文） 第一期，我們以圖繪的方式，勾勒在亞洲不同城市中，以集體創作進行組織工作的版畫小組，探索小組之間的傳承、共通性和差異性。第二期，我們以「著作權」、「 […]
亞際自組木刻版畫串連圖繪 Mapping on the Development of Self-Organised Woodcut Collectives in Inter-Asian Context (1990s-2010s)
International Centre of Cultural Studies／A4／29ページ（English & 繁体中文） Started in the 1990s, self-organised woodcut collectives have bloomed acr […]
